Archive for the ‘how to’ Category

Writing Songs / Being a Musician : for all the right reasons

Wednesday, January 21st, 2009

I go to a local open mic night every Wednesday (you probably already know that). I do it religiously. Every time I go, just before going on stage, there is a feeling of dread that overcomes me. I love writing songs. Performing is something I love to do. So why the dread? Because songwriters tend to measure themselves against other songwriters. This is wrong. Its precisely this that made me ask myself “Why do you do this?”.

Why do you do this? If you’re going to be a songwriter you need to do it for all the right reasons. If you want to perform then you definitely must be doing it for all the right reasons. Doing it for the right reasons is what builds confidence. Without confidence you will always be sub-par.

The reasons you write and perform matter. If you aren’t doing it for the joy you get from it then you will never be good at it. The same applies to any endeavor, really. I know that there are some people out there who do it for the money. Some do it for fame. Some for women. Some for drugs and some for all the above reasons. These people aren’t songwriters. And they aren’t any good no matter what the critics say.

You can perform horribly and write the ugliest songs yet still be a good songwriter. If you are doing it for money or any other superficial reason then you are not a good songwriter no matter how many people sing along to your song or how many groupies or mansions you have.

I do it because I love it. Like Michael Jordan played basketball for the love of the game (his book is good). My songs are okay. They aren’t bad. But they aren’t top 40 either. In comparison to others who play on Wednesday nights I might be below average. But I’m a good songwriter. Because I put myself into my songs. Each time I put pen to paper and fingers to frets I am creating something that is and always will be a part of me.

I have confidence as a songwriter. I have confidence because when I go up on any stage and perform its not me playing. Its something larger than myself. Its metaphysical is what it is. Its an aura, some sort of energy that takes over for me. While I’m on a stage I am not on this earth.

There are a few things that can kill that sort of moment though. Thinking about the crowd; their reaction, wondering if they like you etc. will kill your performance and keep you from really touching the music. If you try to be as good or better than another performer then you will never feel the kind of joy I feel when I’m on a stage.

I am guilty of these things. I commit the deadly songwriting sins from time to time. I start thinking that the guy who came before me was better and how am I going to follow him up. I look out into the crowd and see people whispering to each other and I swear to myself they’re whispering to each other about how much I suck. Sometimes I concentrate on my playing too much. Yes, you can concentrate on your playing too much. 

If you’re a songwriter you should be practicing your songs before you get to the stage. They should be second nature to you. Of course mistakes will be made, lines will be forgotten, and sometimes it just takes a long time to memorize your own lyrics.

When you get up on that stage you should think about the song. Not the notes and not the words, but the song. The song is the emotion, the part of you that you lend to those notes, chords, and lyrics. Without a piece of you Beethoven played in perfect time by the best orchestra in the universe will sound like shit. The song is you and you are the song.

If you can concentrate on the piece of you that was put into the song and feed off of that as you perform, you will undoubtedly have an incredible performance. But if you write and perform for the wrong reasons then your songs have no life and will ultimately suck no matter how good your technique or well you stuck to [music] theory.

Tomorrow I am going to perform at the Ashbary around 9:30. I won’t be the best player or have the best songs, but my performance will be amazing.

Songwriting: Writer’s Block - It Happened to me

Friday, January 16th, 2009

Last week on Songwriting Wednesday I wrote a post about how to write a song. Sure, it isn’t Songwriting Wednesday but it is How-To Friday so I’m going get into that subject some more since this is something I’m actually having an issue with right now. This isn’t a step by step tutorial like the last one was. Its more of… well, its just different.

 

For a little over a month now I’ve been religiously attending a local open mic night. I’ve been writing and performing at least one new song per week. Suddenly I’ve hit a wall. Actually, the wall was there all along. Its just that I denied its existence.

 

To understand what brought me to this point you have to go back at least a year, possibly two. Being the rock and roller that I am I decided that the whole sex and drugs thing was something I could handle. I over indulged, ended up ruining my life, and in the process managed to stop caring about my art. It was so sad because without music I don’t make sense. And I don’t mean other people’s music, I mean writing my own. I sold my Fender Strat and a vintage Epiphone acoustic that was way cheaper than it should have been.

 

After that I didn’t write for about a year. Didn’t even think about it. All my instruments and recording equipment were gone.

 

Two months ago I got myself together. But I can’t be totally together without my music. I was fortunate enough to get a beautiful Epiphone Dot Studio (the kind Pete Yorn uses… sort of).

 

I’ve been writing songs every week but none of them are any good. I mean they are certainly passable and they aren’t anything that would get you booed off a stage but they aren’t me. They have no heart. The music is written so quickly and the lyrics have no heart at all.

 

I said last week that inspiration is for suckers. And that definitely still holds true. But sometimes you hit a creative wall. You can push through a metric ton of shitty songs and never come out the other end. In those cases what do you do?

 

Put down the guitar. Smoke a cigarette. Have a beer and watch TV. Take a walk in the woods. Go to the city and look around. Indulge in the other creative activities you enjoy. Make contact with other humans. Create or destroy a relationship (either one of those things makes for excellent songs). Whatever you do, make sure you do it as an observer. Becuause if you aren’t observing then when it comes to writing the song you’ll have nothing to go on.

 

Thats it. That one paragraph is the cure to writers block. At least I hope it is. I’m on this journey with you. There are tons of articles on the subject online but I haven’t found one that’s helped. Your best bet is to let time take care of it. In the mean time keep on writing and performing those substandard songs. Because its those songs that get you to the promised land. Those songs are the acres and acres of debris surrounding the one previous diamond in the mine of your mind. 

 

Keep diggin’ fellow songwriters. I’ll be right there with you.

How to Speed Up and Aging Mac

Friday, January 9th, 2009

Today is “How-To” Friday (still keeping myself on schedule after four days)! I know I just posted about computer stuff yesterday but I don’t know how to do much else and I already posted a songwriting tutorial on Wednesday. This tutorial was inspired by a program that destroyed my Mac a couple days ago.

If you’re like me then every so often you feel like you want to start fresh. After owning my iMac G5 for 4 years I felt like I wanted to start over but not have to buy a new computer. Well, a little program called Monolingual helped me do that in an unexpected way. Monolingual erases language and CPU architecture support that you don’t want from all the programs on your system which can save you several gigabytes worth of memory. But if you aren’t careful you can end up with a computer full of programs that no longer work. This happened to me and in the process of restoring my computer to glory I discovered how to get a fresh start without the hassle of starting from scratch.

Over time your Mac will probably gather files and folders that become useless and just take up space. OS X isn’t nearly as bad as Windows in this department and usually your system doesn’t suffer too badly but if you have an older Mac then you might notice a subtle sluggishness of your system.

This is because the Mac’s uninstall procedure (while so much better than Windows’) isn’t as clean as you may think. On Windows every program plants part of itself in as many different folders as it can (or at least it seems that way) and when you uninstall a program there are a lot of files left behind. The Mac isn’t too bad with this but it does do it. You think that all you have to do is drag your app to the trash can and its gone. Wrong. While Mac apps don’t put pieces of themselves in a thousand different folders like Will Smith in “Seven Pounds” giving away organs to a bunch of different people (oops, did I spoil the ending? and was that a lame methaphor?) they do add files to a few key directories. Usually in the Application Support folder and and the Preferences folder. If you look in your Library folder you might see folders having to do with apps you deleted long ago. Your System/Library folder will have some too.

There is also the matter of system preferences. You may have used a program like Onyx or Spring Cleaning or Secrets to play around with system settings you normally don’t get to unlock. You might now regret your decision to do this because you can’t figure out how to change them back.

And finally, your computer might just be running slower than usual. Well, I think you’ve had enough of my technical explanations and now you just want to get to it. Here we go…

What you need…

 

  • You need to get an uninstaller program. The one I like most is called AppZapper. It isn’t free but its cheap and it works great. If you want to go the free route there’s AppCleaner (which is my recommendation for a free app), AppTrap, and AppDelete
  • The serial numbers to all your installed programs if any (if you don’t have some or all of them don’t worry, just read on)
  • DVDs or CDs to burn or an external HD or some sort of large capacity or many large capacity USB drives
  • A copy of your current version of OS X (don’t worry if you upgraded from 10.5.1 to 10.5.6, this doesn’t matter in the end) If you didn’t buy the OS separately then a copy of your operating system came with your computer. Find the discs that came with your Mac, thats what your OS is stored on.
  • At this point I recommend making a list of all the programs in your Applications folder in case you lose that folder in the process (which is most likely NOT going to happen) and so that you can follow the rest of these steps
  • You will want a program that frees up hard drive space. I highly recommend Xslimmer for the job. Monolingual is a free alternative but you can end up doing more damage than good if you don’t know exactly how the program does what it does.

The Process…
 

 

  1. Do you have the best programs for the job?

Look over your list of applications. Do they truly work for you or are you just used to them? Go over the list and Google some alternatives for those applications. You may find a lightweight program like Rapidweaver that suits you better than Dreamweaver. Or you may be very attached to your programs and you don’t want to try anything new. That’s fine. Once you’ve acquired your replacement programs either leave them on the disc they came or you downloaded them, back up the installers to disc and in a folder on your desktop or wherever named “To Install”. Leave them alone for now. Do not install them. 

 

  • 2. Backup, Archive, Whatever you want to call it

If you follow the instructions in this tutorial you won’t need a backup but mileage always varies and there is going to be a small (miniscule, really) number of people who will track me down and kill me because something went awry. If you’re going to backup your files (which is always recommended no matter what you do) include all your music, photos, iPhoto libraries, documents… you know what you want to keep.
 

 

  • 3. Uninstall The Space Wasters

Using a program like AppZapper go ahead and uninstall all the programs that you don’t want anymore. Think very hard about what you want and don’t want. Do you really use some of those programs? If not then get rid of them. You should also get rid of programs that you downloaded replacements for in step 1.

  • 4. Re-Install OS X

Insert the Leopard disc (or whatever disc you have, I only know how this works out for Leopard for sure but it can’t be much different for 10.3 through 10.5). When the window opens click the OS X icon to install the OS.
 

Your computer will restart and you will see the installer. Its pretty straightforward  from there. Once you get to the point where you pick which hard drive to install it on you may think you have a problem. The installer won’t let you install the OS because even though you have the same version you added updates through software update and your system is technically newer than the OS you are trying to install. Click on options and then select “Archive and Install”. This will save your preferences and everything within your home folder in a directory called “Previous Systems”. OS X will automatically transfer 90% of what’s in your current Home folder and use it in the new system. When the installer is finished you will log in and see your desktop and everything else just the way you left it. It seems as though nothing happened but it has. Look through the Previous Systems folder located on Macinstosh HD just below the regular System folder. Make sure there isn’t anything you may need from there. Open any apps you believe may have been affected by the reinstall and make sure they work. They most likely will. If after you check things out and the water is fine delete the Previous Systems folder. This is going to free up a lot of hard drive space.

 

  • 5. Install Your New Apps

Remember that folder you made with all those new apps in them? Open up your To Install folder and install your new toys. Go ahead and open everything up and play with your preferences. Get them just right.
 

 

  • 6. Update

Now your Mac should be cleaner, lighter and faster on its feet. But some things like iTunes may not work. This is because you need to update all the default programs installed by Apple. Before going on go to Software Update from the Apple Menu. Once updates are installed and you restart your computer check for updates again. Keep on checking for updates and restarting until Software Update says that your system is up to date. It should take no more than 2 or 3 checks before your system is up to date.
 

 

  • 7. Put Your Hard Drive on a Diet

If you got Xslimmer then you have made a great choice. If you got Monolingual I suggest you be careful.
 

For Xslimmer:
- Use the Genie to find all the programs that can be slimmed down. I suggest you don’t change the protections for protected programs. Once the program has scanned your drive open up the preferences for it and make sure that the backup option is selected. Then choose a folder to store your program backups in. Press the Slim button and watch Xslimmer backup then cut out all unnecessary files from your system. You will most likely save a number of gigabytes on your drive. When it finishes make sure all the programs it worked on still launch. If everything is fine then you can delete everything in the backup folder you selected.

For Monolingual:
- Be warned: If you use this program improperly you can end up having to reinstall OS X all over again.
- You will need to back up every last program on your hard drive manually if you choose to do a backup. Follow the directions and make sure to set the program so that it keeps the languages you want to use. I advise against playing with the Architecture tab. If you do it anyway then whatever happens is on you. But if something does happen remember I warned you. Monolingual deletes one thing at a time. So it will delete the language support first, then you have to go to the next pane and choose your settings and it will delete whatever is next. Architecture files don’t hog much space at all. But if you’re desperate then go ahead.

There you go. Your system should have some more pep now.

Songwriting Tips from a Guy Who’s Done it for Years

Wednesday, January 7th, 2009

I hope you guys enjoyed last night’s double post. Here’s another! It seems I’m just pumping them out since I finished the new site.

Anyway, today is Wednesday and according to the schedule I set for the blog that means today’s post should be a “how-to” related post.

Every Wednesday night end up going out to the Ashbary in Willow Springs (in the suburbs of Chicago) and playing at their open mic night. In light of that I think its fitting that I write an article on how to write a song.

Introduction

There are a few things you should know before you write a song. A lot of people are afraid to write songs or if they write them they are afraid to perform them. To those people let me say this:

Songwriting is not hard. Songwriting does not require talent. There’s this myth out there that songwriters and performers have this certain intangible quality that the rest of us don’t have. They don’t. Songwriting is 1% talent and 99% hard work.

Songwriting Myths

Songwriting is a skill, not a gift or talent. Some people are better than others but I’m willing to bet that those who are better than the others have practiced much longer. When I say songwriting is a skill I mean it in the sense that it takes skill to play sports. And you get better at songwriting the same way you get better at sports.

I’m not telling anyone to exactly what I’m going to tell you. These are rough guidelines. Try them out and take what you need. Now you probably play an instrument if you want to write a song or you may just be learning an instrument. It doesn’t matter how good you are at your instrument, you can still write a good song. Your songs will get better as you practice your instrument and songwriting. In my case I ended up teaching myself guitar. I learned all the open chords, power chords, and those other kind whose name escapes me at the moment (haha, that doesn’t make me look a good teacher). I didn’t touch scales for years. In fact I rarely use scales to this day even after I learned them. I’m an average guitar player. I know how to play. Average is good. I got here by teaching myself. If you find that your music isn’t progressing like you want it to because of your skill level, by all means take lessons. I went to Columbia College for a short time after my stint at Loyola and took only music classes. It was there where I learned scales and other standard methods and practices. Even though I still remember what I learned I don’t use a lot of it. That’s why I’m telling you to cherry pick in your learning. Try something out and see if you can use it. You don’t have to have the skills of Eddie Van Halen to be a good songwriter.

The Process

Setting up your Space

Ok, so now you’re sitting down in the place you reserve for songwriting. You did reserve yourself a space, didn’t you? Its important to have a place you can sit down, relax and concentrate in. Some people like distractions while they work. I like to have a lot of things going on around me while I work on something. The one exception to that is songwriting though. But if you are one those who like background noise or whatever, get a TV, a computer or whatever you enjoy in your space. I can’t speak to that method so I’ll let you figure it out. If you’re someone who like quiet I can help you. You need to have a space clear of clutter. There should be no distractions while you sit down to write your song. No cell phones, TVs, computers, or even stray paperwork around. When I first started out I set up a space in my parent’s basement which was unfinished and certainly not inviting in any way. I taped a collage of pictures on one of the walls, set up some spare couches in a square, laid down rugs, set up a few coffee tables that were laying around and voila! I had myself a nice writing/recording space.

Your space should not only be comfortable, quiet, and uniquely yours, it should also set the mood. An office cubicle can be neat, tidy, and uniquely your own but its not a good place to write a song. If you have a space thats nice and clean but doesn’t set the mood you might as well be in that cubicle. Candles are a good way to set the mood. Consider the colors in your space. What kind of vibe do they give off? Pastel green and blue have always been colors that inspire me creatively. What are your colors?

Inspiration

The first hurdle to songwriting is always the hardest to mount. Inspiration is something that can stop you before you even start. You’ve set up your writing environment and now you’re sitting down with your instrument and suddenly you have no idea where to start. Its important to go into writing with a subject in mind. This rule applies only if you are sitting down with the intention of writing a song. Now there are times when I sit down to just play guitar-not write a song- and suddenly inspiration strikes. Thats fine, but inspiration is not going to smack you over the head. If you wait for inspiration you’ll never write any songs. Especially when you first start out. So how do you go into writing with a subject? It seems like a question that shouldn’t have to be asked but its actually very valid. I know from experience that coming in with a subject in mind is easier said than done. A good idea is look to your past. Pass up all the boring stuff and focus on times of heightened emotion. Think of what happened today, last week, last month, last year, and ten years ago. There’s also the option of using something external for your subject. What I mean by external is that you should listen closely to the radio and figure out what the songs you’re listening to are about. Can you relate? Then write a song about it. Even talk radio is a great source of inspiration. You don’t have to write songs about yourself or others. You can write a political song. You can write a song about an awesome piece of furniture you saw at IKEA. I want to go with the example of the piece of furniture for a minute. Sometimes when writing a song about the most random things (like a piece of furniture) you wind up with a great song. This is because you have to work hard to make it interesting. The harder your brain is working the better your song will come out.

Remember this: Inspiration is not something that comes from outside ourselves and knocks us on our ass every now and then. Inspiration is something you have to work for. Inspiration comes from thought processes - not sitting on your ass waiting to be inspired. I cannot stress this enough- if you wait around for inspiration you will never become a songwriter. And if you do you’ll be terrible.

The Music

Alright, so now you have a subject in mind and you’re ready to write your song. But how

Me during my first gig

Me during my first gig

does the music go? This is another problem songwriters have. If you’re new to your instrument its probably even harder. In terms of your playing there are a few important things to remember:

 

  • Don’t play anything you can’t play - What I mean is that if you’re trying incorporate that awesome chord your favorite rock star uses in your favorite song but you have a hard time playing it almost to the point where you can’t, the don’t. Play what you can. If you can’t play that special chord then use another. You will only end up frustrating yourself and giving up otherwise
  • Do experiment with new chords and sounds - this seems somewhat contradictory to the first point and maybe it is. You should definitely learn new chords, techniques, and playing methods. You should absolutely try to incorporate them into your songs. But if you need more work on anything and to use it in the song would harm the quality of the song then don’t use it. Practice it all you can but don’t use it in your song. Struggling through a song will frustrate you and there is a good chance you will give up on the song.

That said, I’ll take you through my method. I sit down and start strumming some chords. Random chords. I play whatever my hand decides to play. I basically just put chords together at random and experiment to see how certain things sound together. Some people advocate for writing in certain keys and using music theory to write a song methodically. Because I am self taught I don’t do it that way. I had been playing guitar for 8 years when I took Jazz Guitar in college. At that point I just didn’t want to change how I did things. If you want to go the music theory route then I suggest buying the book “The Songwriting Sourcebook” by Rikky Rooksby. I have it and I think its an indispensible book for any guitar player from beginner to expert. I still use it every now and then even though I don’t go the music theory route. To be clear though, knowledge of music theory is not necessary to a good songwriter… at first. As you progress you will naturally start to get into music theory and end up learning it without trying. I happened to me.  I definitely don’t follow the tenants of theory stricly and thats what I want to stress. You can do it without knowledge of theory. I don’t want to repeat myself so I’ll go on…
 

The Lyrics

Lyrics aren’t hard. People make too big a deal over lyrics. Don’t be a pansy and puss out right at the lyrics part. Its quick and painless, I promise.

First off think of your subject. Now your lyrics should tell a story about that subject. Say you’re writing a song about Mary. It may go like this:

Mary, Mary,
She was so hairy
She had a little lamb
but he didn’t want to get married
etc., etc.

See what I did there. This certainly isn’t good work by me but it’ll do for this example. My subject was Mary. I thought about her. What did she look like? Who did she hang out with? What’s going on in her life? Well she’s a hairy chick who had a little lamb that didn’t want to marry her. She wanted to marry a lamb because no other guy would date her due to the hair growing on her body. Sure Mary and her Little Lamb have another song but I added to the story. You can use that idea if you want (not that I think anyone will). Thats how you write lyrics. Its easy. There are some things you should avoid while writing a song. Cliches are one of them This post is pretty long anyway so I’m not about to make a list of them but you can find some herehere, and here. Some cliches are alright in moderation. It all depends on usage. If you use them right then you’ll have no problems. 

Sometimes you just can’t think of any lyrics and you need some time to think. In those cases I advise you not to stop writing. In those cases use filler lyrics. Filler lyrics are junk lyrics. You use them just keep the flow of the song going until you can replace them. They don’t need to be good or make any sense. They allow you to finish a song without having to stop in the middle. In many cases your filler lyrics may become part of the final lyrics. Its happened to me and thats just fine. There are a ton of hit songs that were written with filler lyrics that were never replaced.

Song Structure

At this point you have your subject, a few riffs, and a good idea about what the lyrics will be. Now you need to structure your song. There’s no right way to do it. Just diferent ways. Songs have these parts called the verse, chorus, and bridge. Verse, chorus, and bridge are the pillars. But they don’t all need to appear in the same song. Remember what I said about the right way to do it. Think of the verse chorus and bridge as suggestions. There are also a few other sub-parts called intro, pre-chorus,  and others that are beyond the scope of this guide.  There are a number of different ways to structure these parts into a complete song. Right now we’re going to call the intro “a”, the verse “A”, pre-chorus “b”, chorus “B” and bridge “C”. A few days ago I wrote a song with an “aABABCAa” structure. Yes, I used the intro as my outro. Here some basics:

  • ABABCB
  • ABABCAB
  • aAABABCAB
  • aAbABCAB
  • … and a ton of other combinations

 

Those are some of my tips. Just remember that talent = hard work and inspiration=thinking really hard. There is no intangible quality that makes us songwriters different than anyone else. Anyone of any skill level can do it. If you’re an conscious human being then you can write a great song. Have fun everyone!

And don’t forget I’m playing at the Ashbary tonight. Check out the shows page in the Felix section of this site.